United Kingdom's "modern" modern dance _ rubbings

United Kingdom's "modern" modern dance-dance competition in a program, take part in the competition of the tuxedo for men to athletes suit, tie, with long skirts, Ms. to comb the banquet formal hairstyle. This program includes Waltz, Vienna CPC Waltz, tango, Foxtrot and five brisk dance. The match referee on the entry points to players not only determine the ultimate winning order, according to the total of the top three spots. Modern dance classes in waltz, tango, Fox trot, fast dance and Vienna Waltz five dance. Also known as the round dance a waltz, slow Waltz, Boston Waltz, originated in Austria folk dance, the dance is known as the magnificent, "after the dance!" in its main features is to lift, swing, reflexive, tilt, in the beautiful music and dance accompaniment, and the two pairs of rotation, warm and romantic. 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It's the most major characteristic is: when we move towards a direction, and our bodies are moving in the other direction. Fox trot is a unique style of ballroom dancing, its music is 4/4 beat, a section about 30 minutes, music distribution strength is moderate, dance, light and easy jump up bright. Fast easy and joyful, dancing, so many people's favorite. It's music to 4/4 beat per minute 50 sections, slow step is typically two-beat, dance lightness jump, full of youthful vitality. Vienna Waltz aka fast huaer silk, features and round, dance number is very small. Vienna waltz music called waltz music for 3 beats per minute 56 section. The characteristics of modern dance for the majority of guobiaowu lovers, select relative to the Latin dance, modern dance people less (I have not been specifically statistics, feels so), can jump out the characteristics of modern dance, even less. Is not to say that people don't like modern dance, modern dance for them, the requirements from the outset, one of the reasons is the modern dance started to encounter a challenge. Here, we'll talk about this problem: in fact, the problem is one of the most modern dance notable characteristic is in modern dance at the dance, the dance between the threads as "location is between the partner through which the" personal information "to pass the dance, the application of this kind of body language, guide partner complete dance movements. In the course of the entire dance maintain "posts", is of considerable difficulty, is called dancers do a series of parts of the body other specifications, namely: from head to foot, hand frame, out of step, body posture and between the partner and so on, each part must be done, and handle your own Center of gravity and partner in the dance between the deduction procedure common center of gravity, in order to achieve the "personal". But only by maintaining such a "personal" information can be passed to partner dance, guide partner complete dance movements, resulting in beautiful overall design, showcasing the beauty of dance, modern dance to it. At the same time, this body language to help partners in dance in better extension, dancing to fully stretch, enjoy the pleasant modern dance. It can be said that the dancer can be comfortable doing the "personal" they have basically mastered the skill of modern dance. Dancer in learning modern dance is if you ignore this, do that "personal", dancers often occur in a series of problems: for example, frequent confrontation between partner, the partner does not lead to coordination between the actions you pull me up, ran a collision knocked, thereby losing the characteristics of modern dance. It certainly will not be able to demonstrate the beauty of modern dance, dancers will feel more and more advanced. In fact, many modern dancer knows the importance of the "personal", especially beginners and amateurs, (no fixed date was easier to commit this error) in the absence of a relatively standardized training, or no qualifications better teacher guide, in the learning process, while also noting the "personal", but still jump very unnatural, appears out of the body away bits (pose posture of aliasing), which it failed to grasp the modern dance in other basic requirements. As previously mentioned, to do a "personal", dancers and other various parts of the body must have adequate skills, they are interlinked and mutual dependence, when it comes to making this part of the request, it will definitely affect that part of the play, resulting in an overall lack of coordination. So dancers in learning modern dance when it should be noted that it's on a consolidated basis, excluding wishful thinking. To go hand in hand with training basis for action, not only pay attention to this part at the expense of the other part, note on a consolidated basis for the upgrade. Can we truly grasp the "personal" nature. Modern dance dancer will require two four legs, evolved into a two-legged overall to dance, the "personal" is key. Early beginners to achieve this, it means easy? modern dance appears to be easy, but actually start getting it in a very difficult this is causing a lot of people choose one of the reasons for the dance. (I am not saying that Latin isEasy, Latin dance has its own characteristics and difficulties. But relative to the characteristics of modern dance, dance next to the skin less overall requirements between the partner does not have a relatively modern dance such rigorous, partner play opportunities between self, Latin dance started a visible effect on your left). The above, I would like to specially for reference. Modern dance's basic walk WALK (walk): is used for all modern dance Foundation, particularly on Fox trot particularly helpful. Walks of Timing: ONE represents the starting to limit a step. &Amp; (AND), speaking on behalf of the center of gravity is completely new. So ONE is half-beats, and is half a beat, the total is equal to the time of shooting. (A) WALKFORWARD (forward walks): &: upper body remain relaxed but focus on the patient, either feet knee relax (not Flex). Gravity bone grab ONE: to push the body forward slightly bending your knees, you focus on foot heel gradually move away from the body and to maintain focus in the forward legs and feet, and a step the limit, at this point, after the toes and heels. And push the body after the toes: moving on to the front position, on the ground in front of the foot, the body Center of gravity moves to the front foot and become the new focus on foot. But just slightly push the body forward, feet slightly off the ground, swing soup this time have been moved to the center of gravity feet movements called �� after ��. TWO: �� after �� limit to a step, repeat ONE of the action. Which keeps the body in two feet between the constant movement, especially in the past is not to stop. (B) WALKBACKWARD (back left): &: upper body remain relaxed but straight, Center of gravity, in either feet placed knee relax (not Flex). ONE: the center of gravity, a little foot push down on my knees and pushed back, the body's Center of gravity of the foot slowly off the ground, the back of the knees, ankles and feet straight, perpendicular to the instep and the floor. Body in between two feet to a step after this time limit, the toes and heels. And the body continue to retreat, and after the heels, become the new focus of the foot. Now you have to pull back to the center of gravity feet movements called �� after ��. \TWO: duplicate ONE of action. Which keeps the body in two legs move between constant. Depending on the method and ONE, and TWO repeat training walks, no lift, try to ride. But how to riding? a step from the start to the limits of the body weight in between two feet, just half a step in the limit, then the former heels, toe curling up, this time is the ONE. Body weight continues to move, the former foot should slowly step, body weight to move to the front, front foot is also practical as the new center of gravity, which is the result. Forward foot foot around the point (Footwork), now the heels off the ground, from the foot and heel rolls over the floor. When the gravity of the foot and heel gradually ground, keeping the foot forward to heel-slip into one step. The back of the feet foot toward the point. Ultimate in one step, the front leg to heel, gently pull the back contact surface. Tango for walks, in principle, the same as above, but with different Timing and has the following characteristics: (a) a slightly lower center of gravity, knees slightly bent, and fixed curvature, none of the move. (2) due to lumbar left twist, each left foot forward are reflexive location, each right foot forward are right shoulder boot, continuous walks to the left curve. (Iii) forward the foot off the floor and direct placement position (other dance division rolls over the floor forward). (4) not put soup, every step of the dance section shorter than others. (5) to stand and legs, men's feet and Qi, right foot slipped back slightly; Ms. feet and Qi, left foot slightly slip into. Walks of Timing: ONE and a half-turn is waist; TWO left foot cross-shot to a step of gravity limit, to the right foot, left foot (slightly delay), also a half beat together is a racket. (A) proceed with steps: ONE: upper part easy and straight, knees slightly bent, twisted by the waist and left. Gravity feet (right foot) bent body forward, left foot off the ground. TWO left feet off the ground and then forward the whole foot off the ground to heel direct implantation of reflexive, and before the next beat, to minimize the delay while the front. ONE: lumbar continue left foot torsion, gravity, maintaining the knees after a delay to start the front foot. TWO: the right foot by right shoulder Guide to heel direct placement position. So ONE, TWO, go into the forward left curved line. (B) back to the upper-right: ONE: easy and straight, knees slightly bent, twisted by the waist and left. Gravity feet (left foot) knees makes the right foot to toe back to reflexive (Ms waist time men have begun to slip back). TWO: the right foot to foot the outside edge of the slip back to heel in a reflexive position, front foot off the ground after recovery. ONE: lumbar continue left foot torsion, Center of gravity keep pushing back again left knee. TWO: left foot from left shoulder to boot to a portion of the inside edge, heel of order placement. So ONE, TWO, go into the back left curved line. Foot around the point (Foot work): (a) all of the progress and Tum before the first two steps, both feet and directly to the heel placed in position, then all feet on the ground. (Ii) all reflexive location steps, under the back to the outer edge, the heel of the foot. (3) in all shoulder guided back to the bone STIPs, inside edge, heel. (Iv) steps to the side of each change, follow the steps. Description: forward, backward, walks with steps are common to both men and women, but women because it is not active, so the above described �� left by the waist and twisted ��, language, is receiving signals, but do not miss the main action. Such as men go forward with steps, ONE man from the waist to the left turn signals to Ms. Ms, not just left by the waist and is on the left of the torsion reflexive action, so the men left by the waist and twisted left foot is preparing to go forward, the ladies because is a reflexive movement, right foot has to back up, but still the man active. This jump method man easily, you don't have to like the same push your lady bulldozer away